Showing posts with label navel-gazing. Show all posts
Showing posts with label navel-gazing. Show all posts

Wednesday, 15 February 2012

A love letter for London

In some ways it was the first place I ever knew. Seventeen, sick and living in a box-room belonging to an octogenarian friend of the family, every day once I was just about well enough not to have to sleep in hospital overnight I would wake up at five and tiptoe down the street and go underground. I've always thought of the London Underground as not quite of this world. It has its own newspapers and its own weather, its strange warm winds blowing from tunnels deep in the groaning belly of the city. Step out of the tube and you are older, by twenty minutes or a whole lifetime; you are different; you have left something of your old self, your anxious, night-time, dreaming self down in the racket and thunder of the trains and the harsh bright never-dawn of rolling rubbish and advertising hoardings.

I was born in London, and though my family moved away when I was small, I grew up longing for the city. Some of us do. The rabbit-bitten fields and sun-kissed cycle paths that my parents were so thrilled for their daughters to grow up with held no interest for me. I wanted the smell of diesel and the rain throwing up soot on the pavements. I wanted lights that never went out and streets to swagger down. I went to sleep in the owl-hooting dark, dreaming of the syphilitic rattle of urban pigeons.

More than anything, I wanted the tube. Every time we went to London for a visit, I could happily have ridden the underground all day. I wanted to lose myself in the dark and mouse-running scramble of crammed-together humanity and come up again in the light. I liked being one of the sardine people, even in rush hour, even at my height, which was and remains about armpit height on the average commuter. Late at night, the platforms echo with the memory of thousands of city dwellers huddled together for shelter with the bombs of the Blitz overhead. Catching the last Bakerloo line home, you can almost see them, out of the corner of your eye, through the cracks in history: propped against one another, mindlessly tired.

The tube is London's psychic sewer system. The somatic debris of life in a late capitalist megatropolis drifts through and drains away here down tunnels garish with adverts for car insurance and cosmetic surgery. Knackered commuters grip their seats or cling to the upright poles, avoiding one another's eyes. And yet it's also the one place in the whole county where the power of organised labour can and does bring a city juddering to a halt on a regular basis, the one place where workers, by and large, expect to be treated like dignified human beings. Tube strikes are as regular and marvellous and irritating as the yearly snowfall which turns London into a hushed, glittering white fairyland of treacherous ice and broken transport links and adults freaking out like excited toddlers, turning up their faces to catch the fat flakes before they soak into the grime.

London is a place of contradictions.

The process of living here is one big game of unseeing. I have not visited another world city where different lives mesh and interweave so intricately without ever touching, rich and poor. In China Mieville's novel 'The City and The City,' two cities occupy the same physical space, and citizens must avoid 'breaching' the psychic gap at all costs. When the book came out in 2010, there was much speculation as to what city it was supposed to represent - Belfast? Jerusalem? Berlin as was? - but for me it's clearly about London, consciously or unconsciously, the city of parts which breaks into all of Mieville's work, as it does with any writer who lives here for very long.

London is more than two cities. It is many cities. It is the city and the city and the city and the city, a delicate, dirty palimpsest of history layered on history. A city where kids with hoods and hopeless eyes can start burning police cars and looting the high streets and the question on the lips of the broadsheet writers and politicians who live and work a few streets away can still be: where the hell did these people come from?

They come from London, just like you.

I have been in love with this city all my life, and it has taken me on marvellous adventures and it has come close to crushing me. No lover has ever betrayed me like London. Being poor and homeless and despairing here is not like being poor and homeless and despairing anywhere else. I have seen this city swallow friends whole, chew down its young for the meat and life under the skin and spit them out old and traumatised. London does this. You plonk your youth like an offering on the steps of Liverpool Street Station and you just have to hope the city will leave you a life worth living as it slurps up the marrow of your dreams. I will never forgive it. I will never stop loving it.

But it's all got a bit much lately, what with the total policing and the hysterical run-up to the Olympics. I need a break, and I'm fucked if I'm going to the country. London and I need some time apart. I've saved up some money and I'm leaving today tooff to see other cities for a while, starting with New York, which is a great floozie of a town with a far inferior subway system. But I'll be back, because it'll take more than godawful tea and all-night cupcake shops to make me forget where I come from. I come from the best city in the world ever. I come from London.

Friday, 19 August 2011

The Book of the blog, and why I'm not going on Big Brother.

I don't normally like to do this sort of thing, but the good people at Pluto Press have reminded me that unless I get off my tiny backside and actually tell people about this book of columns we've got coming out, nobody will buy it, and then they won't get any money. Which would be sad, because they're wonderful people, and they made me two separate cups of tea when I went to see them at the office.

So, here it is: The Book of This Blog. Titled, after some wrangling and a great deal of imaginative endeavor, Penny Red. It has a stonking cover design by This is Star, a New York artist and model whose inkwork makes me moist and excited. Warren Ellis has written a lovely foreword, which makes my inner fangirl vibrate with glee. Some of the actual words inside don't make me cringe too much on re-reading, either, although they undoubtedly will in five years' time. You can pre-order it here, and if you do, as the good people at Pluto Press remind me, not only do you get it much cheaper, you get free stuff, like extra books.

From the website, it appears that I'm going to be signing some copies as well. That sort of thing makes me nervous; it's been very flattering when people have asked me to sign Meat Market in recent weeks, but it all feels rather ridiculous. I may swan around like some kind of proper writer, but my signature still looks like an eleven year old girl's - it has TWO stars in it, and it used to be a heart and a star until two years ago when I got laughed at by a bank clerk. Similarly, I may act all casual about being asked to go on the telly and give my opinion on things, but I can't watch the clips back afterwards without doing that thing where you half-close your eyes and bite down hard on the side of your fist. Despite what a miniature army of trolls seems to think, all I ever wanted was to write useful words for a living.

It is this that lay behind my decision not to go on Big Brother.

Yes, I was asked to audition for Celebrity Big Brother. It was a few months ago, now. It took me a whole twelve hours to decide no, partly because - coming clean for a moment - I've always loved that mad bloody show, and I've wondered for at least ten years what it would be like to be on it. Hell, of course, but then I'm the sort of person who'd wander around hell with recording equipment asking people how they felt about the whole thing. There's even a chance that weeks of constant public surveillance might not leave me curled weeping in the middle of a day-glo floor, muttering about the Society of the Spectacle and trying to peel myself like a satsuma.

After turning over in my mind every possible way in which going on Big Brother might not be the worst idea in the entire world, I finally hit on the insurmountable counter-argument: the one where this isn't all a fucking joke, and I'm not a fucking cartoon character, and I actually have some serious things to say. I don't like playing the media game. I don't like doing the self-publicising that every freelancer has, to some extent, to engage in. I actually believe in something bigger than myself, and I like to think that the people who read this blog do, too.

There is a banality at play in the British press - and I mean the entire glorious sweep of it, from the Observer Review to Big Brother - that makes me more uncomfortable the more of it I discover. It's a banality that's inimical to the sort of reasoned, sensible debate we desperately need in these nervous times. It's not about celebrity culture, and it's not about 24-hour news cycles, though it has something to do with both, and it infects everything. It's about speed of turnover, a dull hunger for comment, the privileging of celebrity above content when it comes to argument, a culture that would rather watch people unravel than listen to their ideas, a culture that would rather bitch and carp spitefully amongst itself than actually try to change the world. Millions of words have been expended on the riots that swept our cities two weeks ago, and almost none of that analysis has been measured or persuasive enough to prevent the enormous, frightening right-wing backlash that's been permitted to happen on this angsty little island. The best overviews so far have come from outside Britain, like yesterday's explosive New York Times editorial.

There's a fight going on for the soul of decency in this country, and it's a fight that's obscured by gossip and bogged down by banality, and when you're just a person sitting in her bedroom, letting cups of tea go cold whilst you try to write useful things, that banality can feel insurmountable. Fortunately, I have some complete bastards for friends who do things like yell "LOOK, it's TV's own Laurie Penny!" when I come back from the loo. One of the most dangerous things a person can ever do is take themselves seriously. As long as I have those reprobates around, it's not a danger over which I'm losing much sleep.

Thursday, 3 February 2011

Notebook: responsibility and writing

Hello, the blog. It’s been a very strange few months. Things have been moving fast and, due to an auspicious combination of luck, class privilege, working twelve-hour days and being in the right place when things were happening, I’m now a journalist who people have heard of and stuff. I’ve had a big think about the consequences of that this week, and this is my post about it, which will probably come across as massively wanky and self-indulgent, particularly when so many really important things are happening in the world. I’m mostly writing this so I can get it all out and get it down and concentrate on those more important things. If it helps, you’ll get the basic sense of this post from just skipping to the penultimate paragraph now.

So, I'm experiencing a bit of vertigo. Nine months ago I had just over a thousand Twitter followers; now it’s nearly thirteen thousand. Nine months ago it was a huge nerve-wracking fiasco for me to talk on a regional radio driveshow; last month I was a panellist on Any Questions. Nine months ago I was a blogger in the process of trying to improve my writing in the hopes of someday, maybe, being a ‘proper’ commentator’; I’m now a columnist for the country’s foremost leftwing magazine, earning a living as a full-time comment-and-features journo, and have written opinion pieces for the Guardian, the Evening Standard, the Independent and others. I got to talk at the Fabian Society conference! People from the BBC sometimes ring me up and ask what I think about things!

I’d be an idiot to pretend it's not all very exciting. Even when it’s terrifying and intimidating, which is most of the time, I remember that it makes my parents proud, and that’s always something to be glad about, because frankly my mum and dad have put up with quite enough crap from me over the years. I’m not trying to bitch and whine: manifestly, I’ve been handed a pair of golden slippers, and it would be ugly and ungrateful to complain that they pinch.

It does raise issues, though – because despite what some people inevitably believe, my writing is not a self-promotion exercise. Far from it. I care passionately about the politics and the movements I am engaged with, and I am having to learn very fast, by trial and error, how I can best behave in order to be useful to those movements. I’m having to anticipate what I might do or say that might damage or cause divisions within the causes with which I am associated. There is, bluntly, a lot more I can do now to fuck stuff up.

Don’t get me wrong, I’m not under some delusion of being ever so terribly famous – it's not like I get recognised in the street. I have been recognised on two separate occasions at the same bus stop in Bethnal Green, but since I estimate that about half the people who read my blogs and articles probably live within shouting distance of E9 and have a tendency to wander down the Old Ford Road at midnight on a Thursday eating chips, that’s no huge surprise. I do, however, have a more powerful platform than I’d ever anticipated - at least not, in my nuttiest dreams, until I was in my mid thirties - and that’s daunting.

It’s daunting, because I’m in my early twenties and still learning the rules. The whole way I relate to my work and to my friends on the internet (and most of my friends are on the internet!) needs to change, now. This week I’ve finally knuckled under and accepted that.

It means accepting a certain level of responsibility. It means no longer posting quite so many profanities and details of my favourite bedroom activities in my Facebook profile. It means absolute integrity, being more mature and less impulsive. It means that the ripple effects of things I write and say are no longer small and friendly: if I call a fellow activist a cunt, it’s not just playful snark, it’s a big deal. If I tweet momentary disillusion with a protest movement, it might actively dishearten a few hundred people involved, and that matters. The way I choose to tell a story - romantic and human-centred, like this week's New Statesman cover story on the student movement, or theoretical and dispassionate, as some would have preferred? - matters to people. And I can no longer behave as though it doesn't.

All of this also means receiving a great deal more criticism – some of it good and constructive, and a whole lot of it frightening, horrible, threatening and nasty. I now receive rape threats and death threats on a daily basis; I am the subject of various spiteful right-wing hate campaigns and have my very own following of Tory and libertarian trolls. Haters gonna hate, and that's par for the course; but I can no longer respond to every criticism individually, as I used to make a point of doing. I have to block some of this petty shit out, or I’d go barmy.

I guess what all of this is leading up to is: please bear with me. This stuff is all new and vertiginous, but I’m not making the same mistakes twice. The biggest mistake, the one I regret the most actually, is neglecting my share of the housework with all the work and chores and running around I've been doing, with the result that it now probably seems, to my lovely and long-suffering housemates, like I suddenly think I'm too good for the washing up.

From now on, it's time to properly accept that what I write matters to people, time to step up to the responsibility I've been handed and do a lot more to earn it. It's time to behave like a proper commentator, not a terrified kid- even if in my head I’m still a weird schoolgirl who hides in the bin reading comics and has panic attacks when people speak to her without warning.

I anticipate that soon the fuss will die down, things will be less frazzled and I’ll have space to take stock. Probably not for another few months, though, cause I have a book coming out and another one on the way and I’m doing more things on the telly. Meanwhile, I’m gradually learning how to handle all the pressure without being a total dickhead.

That’s about it, really. Thanks for reading, if you’ve made it this far – I appreciate that your time is limited and that there are several revolutions on at the moment. If I ever lose perspective, or start praising George Osborne, or just turn into a massive wanker, I’m counting on the people whose opinions I’ve always valued to take me to task. I've relied on the advice and support of several very good friends and some wise strangers to get me through these past few months, and it's been invaluable. You know who you are. Thank you, I love you. Solidarity.

Monday, 16 November 2009

Shut up, little girl, don't you know grown-ups are talking?

I apologise in advance, guys. I don't normally like to blog about the blogosphere, and I try to ignore what the blogosphere says about me, but this just takes the entire gluten-free cake.

Alright, so last week, I wrote an article about sectarianism in the liberal blogosphere for The Samosa. I was writing to brief, but it was a brief I thoroughly agreed with. In the piece I criticised, amongst other sites, anti-Islamist forum Harry's Place for slipping far too often into immature and unhelpful bullying, witch-huntery and ad hominem attacks.

Yesterday, Harry's place helpfully responded with a bullying ad hominem attack, on myself this time. Rather than actually addressing my points, the article and long comment thread consist almost wholly of a rant about how posh, rich, stupid, spoilt, young (and therefore ignorant) and female (and therefore silly and irrelevant) I am. It's worth reading in full, but if you can't be bothered, here are some choice exerpts:

From the article:

'People like Ms Penny - home counties raised and not long out of university - simply haven’t had that much time to reflect on matters beyond their own limited life experience and can’t therefore recognise political reaction if it comes with more melanin than she herself inherited'

'another member of the expensively-educated bien pensant community again...logically challenged and hopelessly muddled'

'since when did Socialism mean the rest of us had to be rearranged to suit the whims of a self-obsessed privately-educated, Oxbridge-cocooned twenty-three year old?'


From the comments:

'Silly cow'

'A stupid spoilt little girl'

'I feel sorry for her. She has no defences, no survival skills, nor any real moral framework that that would allow her to negotiate the world in an autonomous and secure way. She’s stuck in adolescence, is very weak and vulnerable.'

'a very silly, preening, posturing, vain, pretend revolutionary.

'I will criticise this spoilt little girl in any way I want'

And, most succinctly: 'Would she, please, just shut the fuck up?'


All this carries on for over 170 comments, Gosh, 170 comments, just for lil'ol me! I haven't been so thrilled since daddy bought me my third polo-pony :D

It includes a lot more invective, some speculation about my accent, and a few brave people jumping in to point out that responding to a piece about bullying and witch-huntery with a bullying witch-hunt might not be the smartest of ideas. As one commenter put it:

'The point of Laurie Penny’s article is - HP Sauce engages in smears and witch-hunts of anyone who dares dissent from its idea of what constitues ‘civilised debate’. So it responds by… smearing her, launching ad hominem personal attacks, and patronising her. The response has done her work for her. '


I'm flattered to note that a couple of knights in shining HTML have already ridden to my defence at Bleeding Heart Show and Pickled Politics. This is the point at which, for the good of my own mental health, I should probably just step away. But instead, I'd like to actually respond to the charges for once.

I'm pretty well used, by now, to being attacked on the basis of my age, my gender, my class, my background and my education, especially when people can't find much to criticise in my actual writing. It may come as a shock to some, but I’m aware that I write from a position of extreme privilege, despite having lived a lot more in my 23 years than some people at HP sauce give me credit for. I’m afraid that pointing that out isn’t going to shock me, or anyone who knows me, very terribly, although the news that I'm apparently both a Labour Party member and from the Home Counties did come as a surprise. (I was born in North London, grew up in Brighton, and have never been a party member in my life).

I’m quite open, on this blog and elsewhere, about the fact that I’m hugely lucky to have had the education and life chances I’ve been blessed with - my parents aren't peers of the realm, but we have always been reasonably comfortably off, and with my 80% scholarship they were able to afford to send me to a local independent school. I know I’m still very young and have lots to learn, but I see it as my duty to use those chances to contribute to a debate about meaningful social issues, and not just run off and make lots of money in PR or investment banking.

Tom Miller (who should know, because I've come begging to him for work more than once) pointed out on the thread that I'm actually not personally very wealthy, and am perpetually struggling to cover my rent and bills. Others have pointed out that I've had my fair share of tough life experiences, some of which I've discussed on here, some of which I haven't and shan't. These things are true enough - but they don't mean that I'm somehow exempt from class privilege. However hungry I get, I know that if I swallowed my pride, called my dad and told him I had nothing to eat, well...*sings* he would stop it all. And when I had my breakdown at 17 and was carted off to the loony bin for a year, I had my parents' private healthcare insurance making sure that I wouldn't be kicked out of hospital when the NHS cover ran out, as it did for many of the young people I shared the ward with. There's every chance that private health insurance saved my life.

It's not that I haven't fought, struggled and worked extremely fucking hard every day for the past five years just to survive. It's not that the struggle to stay well and stay productive and work for a secure future doesn't take everything I have, every day. It's that I'm privileged to have had the opportunity to work that hard at all. I know that. In fact, it's that knowledge that gets me out of bed on mornings like this one, when I'm convinced that I actually am the spoilt, selfish, weak, pathetic person that the haters like to tell me I am.

On the other points...yes, I'm young. Yes, I'm female. Yes, I am, in fact, 'little' -5 feet nothing in socks and a hefty 9 stone of ladyflesh. Tell me something I don't know. I've spent a long time being told that I'm too mouthy and opinionated for a girl, that however many books I read and measured debates I engage in, my gender and appearance mean I'm just a jumped-up, silly cow, no more. I've spent years being told to shut up and sit down and let the grown ups talk. I've spent 3 years of a neonate journalistic career being told that I'm simultaneously 'pretentious' (because I went to Oxbridge and know some long words) and 'stupid' (because...well...because I'm a girl, maybe?). And that's okay. I knew, when I decided to give journalism and writing a shot rather than go straight into teaching, that I was laying myself open to exactly the kind of bullying that nearly destroyed me when I was a weepy teenager. I'm stronger now. I know, and people who know me know, that I'm not some sort of spoilt, silly upper-middle-class princess who's never visited the real world, airlifted into a cushy media job by daddums. I've met those people, and I'm 100% convinced that I'm not one of them. If I were, I'm pretty sure I'd have a full-time paying job by now.

Criticise my writing, my ideas, my politics. Tell me I'm wrong, that I haven't read enough, that I need to educate myself more. Criticise my over-use of the semi-colon and inability to spell the word 'acheive'. Criticise my Marshall McLuhan fetish, my weakness for overblown feminist polemic, my frantic desire to find and create bridges between parts of a British left so divided that the effort itself may very well be useless. But don't call me a silly little girl. Don't tell me I'm unaware of my own privilege. If you do, don't expect me to run off crying. Don't expect me to sit down and shut up when the grown ups are talking. I am opinionated, articulate and unapologetic, and I am far fucking stronger than a lot of people would like to believe.

The only other thing I'd like to point out that I offered HP the chance to contribute to my article and put their point of view across - and they turned it down. Had they offered a retort, I'd have included it in the piece to make it more balanced. Instead, they refused to engage and devoted an entire article to a lazy ad-hominem attack. Not the first I've dealt with, nor the last. So it goes. Right, enough whinging from me, I've got work to do.